Collaboration, for me, is a listening practice—
a way of entering the space between bodies, images, voices, and histories, and allowing something neither of us could make alone to come quietly into form.

My practice is fundamentally relational. I understand collaboration not as a supporting structure to the work, but as the work itself—a dynamic field of exchange in which bodies, voices, images, histories, and environments co-compose meaning. Collaboration functions as a living methodology, shaped by attentiveness, trust, and shared responsibility, and begins with listening: to the body, to place, to history, and to the distinct intelligence each collaborator brings.

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Across performance, ritual, image-making, and site-responsive research, I collaborate with internationally recognized photographers, musicians, singers, poets, writers, scholars, and cultural practitioners to create interdisciplinary works that engage memory, grief, transformation, and collective presence. These collaborations unfold across public space, sacred landscapes, galleries, memorial sites, and pedagogical contexts, often dissolving the boundary between performer and witness, artist and community. Interdisciplinary exchange is approached as a form of research, where collaborators are invited not to illustrate a predetermined vision, but to co-author meaning through dialogue, improvisation, and embodied inquiry.

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My collaborative practice is grounded in care—for process, for context, and for the emotional and cultural stakes of the work. I am drawn to collaborations that engage ritual and transformation, where art functions not only as expression, but as a communal act of witnessing. Collaboration asks us to be both precise and porous: rigorous in our craft, generous in our exchange, and willing to be changed by what unfolds. When held with integrity, collaboration becomes more than partnership—it becomes a shared rite of making, remembrance, and becoming.